I want to mark my skin like a map sometimes.
A timeline.
A compass to my heart so when they look at the constellations I’ve drawn on myself, they’ll know where my Northstar is. They’ll see the planets of my heart, the way my whole life revolves around a burning sun of passion.
They’ll see the mark of my soulmate, two interlocked circles, hooked and unending. Or maybe it’s a paperclip, reminding me that she’s there to hold my loose pieces together. Or maybe it will just be her initial, small and simple and forever.
I want to look at my thigh and see a bolt of lightening dedicated to my sister - because she holds enough electricity in her hands to keep pumping life into my heart when I’m slipping away. She’s my jolt of honesty, my powerful display of loyalty and undying devotion. She has this way of making people notice her, just like a flash of lightening slicing through the inky dark of the night sky. Maybe beside it I will write, “your voice is the soundtrack of my summer” because summer ’09 changed us. The way we flashed together, close and shining, then split apart with the pain of electric shock coursing through every joint of my body.
On my arm I’ll write the name of my country and dedicate it to the ones who grew up with me. No one can take away those years, no matter how far away and fuzzy they may seem. Those moments, those markings carved into my heart like the ink I want on my skin.
I’ll probably get another one for the boy who I wanted to be in love with me. I don’t know what it would be, though. Maybe a bicycle, because one time he came on a bicycle to see me. That one time, when I thought maybe he really did love me. Or maybe I’ll put a guitar, because I used to picture us together in the future and he was always holding one. That was my favorite part.
For the year 2010 I’ll just put the world “ALIVE.” Maybe on my back, because I don’t want to be reminded of it too much. I don’t mind the January-to-March 2010 where ALIVE meant full of life, waking up happy, going to sleep satisfied and discovering a rhythm that touched a piece of my heart like nothing else had before. But the April-to-December alive I can live without looking at; the crying at 2am, feeling like I’m gonna puke, hate everything but still waking up every morning alive. It happened, though. Just like Mehdi.
Yeah.
Him.
How do I mark myself deep enough for him? Do I put down “Sam”, because he called me that? Just him. And I still feel an ache from my chest to my throat when I remember. Yeah. I’ll do Sam. I’ll put it right down my side where no one can see it unless I want to share him. But I probably never will.
On my hip will be the shape of a globe for my mom and dad. Not because they are my world, but because they gave me the world. Shaped my life to help me see and understand the world. Literally lived out in front of me the importance of going out into the world. When I feel like the world is falling apart around me, they’re always there to help me pick up the pieces. I know they wouldn’t really appreciate the gesture, but I’d get it anyway. I’d highlight two countries- Morocco and China- the birth countries of my siblings. Maybe I’ll also put little stars all around the globe, one for each sibling, each in-law, each niece and nephew... I want them scattered and brilliant, yet all hovering there on the other side of the atmosphere, my beautiful beacons of home and unconditional love, reminding me of where my feet touch the ground and when I had glasses and bangs, but believing I can always shine brighter and fall faster and be more beautiful than I think I can be. I’ll also put “Auntie Pop” on my arm in a font that looks like a typewriter because my oldest nephew called me that, once upon a time, before he knew me and I knew him, and it never stopped being my favorite. He doesn’t call me that anymore, but I really wish he did. Then beside it I’ll put an Amish hat and bonnet. I’ll stare at them, hating the sight but desperate to love them at the same time. My brother's choice changed my life and as much as I felt abandoned three times over by the decision, I love who my brother is and idolize him just as much now as I did when we were the only two kids in the family and he was my first best friend.
On my leg, just above my knee, I’ll put some phrase in creole, because here I am, two decades later and I still remember, “mwen pa koné” and how disgusting their fried spaghetti and ketchup was. Or maybe I’ll do a tarantula to commemorate my favorite Haiti story of killing thousands of baby spiders with my sister until we killed the mom. Man, she was huge.
On my wrist will be the outline of an airplane with the words “come back… be here” because I wanted him back. He loved me even when I was being ridiculous and I never told him, but if he asked me, I would marry him.
Somewhere in the middle of my body, in the sea of words and music notes covering my back, will be “HYG” and if you know, then you know. And you know how much it meant to look back on when it was all over.
Another word is “Insatiable” because it’s my favorite word and it’s how I want to live my life; chasing down adventures and stories with an unquenchable thirst. And the notes? Minuet in G Major by J.S.Bach; the piece I memorized and performed as an 8-year-old girl. They put my picture in the paper because I received marks of “high distinction” and I don’t even think we ever bought a copy. But it doesn’t matter now - the notes are on me, hugging me, constantly wrapping me in melodies, reminding me of the beauty that comes from hard work and determination. Intermingled with the notes are the words, “Everything is a story.” and a giant letter A for all my brave heroines who have shared their stories with me. I can have one shoulder covered with the question, “What do you think about when you stare at the sea?” and on the other I will have the last thing Alyson Abidi learns about balloons, right before she leans her head on her Danny's shoulder and you read the words “the end.”
Then I’ll have “The End” because I never cease to shiver with a sense of finality whenever my fingertips write those words, pressing the keys almost reverently, feeling the sobriety of the moment. With a story ending there’s always a time of mourning the characters and setting, moving on from your friends to discover a new story, a new character, a new day dream… Maybe I’ll put the word "dreamer” back there, too, as an ode to the reason why I barely finished high school in time to be considered class of 2006.
Another memory from 2006 is seeing Becky at the base and having one of the best visits I can remember. My sister wrote “Becky did this” on a roll of toilet paper. I saved the square. Etching that onto my skin after the way I crawled under her skin all those years ago seems poetic. I think she’ll appreciate it. I’d like to think she’ll remember, too; the way I wanted to mark everything in her world with myself so she never forgot me. She never did, and I’ll never forget her either, even without the tattoo plastered down my spine.
Not everything can be captured with words, though, which is why there will be cherry blossoms, mountain ranges, a plain, white church building and Bab Oujloud all running down my arm in a waterfall the same way Oum Rabaya ran down the side of the Middle Atlas mountains. They touch and mix, blurring the lines of my life to create a paradox of time on my arm, alluding to the little girl who grew up in that plain, white church, that became the girl who saw mountains in Mexico and Thailand, and who smelled cherry blossoms bloom outside her house. Years later she traveled almost daily through “The Blue Gate”, but she was always that same girl who grew up going to that plain, white church that had a cross on the steeple.
There will be a butterfly for my grandma, and a tennis racket for my grandpa. I don’t know what to get for my other grandpa. I don’t really remember him. I carry his name, though. His blood is in me and while it doesn’t show on the outside, maybe that’s enough?
A glow stick on my shin to remember that “glow sticks equal trust” and three hearts, one for each of the sisters of my heart. I know it’s cheesy, but if anyone is worth getting cheesy over, it’s them. From chick-flicks, to ice cream, to sleepovers, to five hour long conversations in the driveway, to traveling the world, they’ve stuck by me. I don’t know how I deserve them, don’t know why they tucked me into their hearts without a second thought, but they push me deeper with every vulnerable secret and hug laced with tears. I would cover every inch of my body in cheesy tattoos if it showed them how much I love them.
And this is where I pause, because how much more do I put on display? Do I put “bubblegum” and Gandalf and torsil frogs and llamas on my skin? Do I share the broken, bleeding heart spread over my chest from the times people loved me deeply, then left me permanently? Do I let people trace over the words, “Bayleas really are amazing creatures” and “Vancouver, you were lovely tonight” and “Fake Mom” and “Abbie’s song” and allow them to prod for explanations when there are none? None that can really convey all that they mean, anyway. They’ll never know that Abbie’s song was actually all our song and it sounded the most beautiful when we sang it together, and when we sang it at the farm, two days before Faith’s wedding and we were given 4 days of heaven together, I thought my heart would explode right out of my chest.
Do I put, “waiting for your call” on me forever? Could I handle looking down every day remembering when he said that could be our song, not knowing that three years later it would make so much more sense?
And if I write, “Won’t you stay till the a.m.” around one ankle and “you make me strong” around the other, would it be too heavy for me to even pick up my feet when I have to turn and walk away… again? Why can I never stay with you? Maybe I’ll add the line, “Everything comes back to you” while I’m at it. Maybe that will give me the strength I need to leave you; because I know I’ll always come back.
If I write any date at all then maybe it should be 05/31. It would be for 2016 and 2017; two days I made or acted on big, scary decisions that I knew would change my life. And here I am, changed twice over because of those dates in time. I’ll stamp it on my shoulder so those numbers can push me forward.
I wonder what May 31st, 2018 will bring me.
There aren’t many spaces left on my body, probably, the inches of canvas being used-up and claimed as memorials to loved places, faces and pages, but I can’t be done yet.
Little brother #1, who started out so little and grew to be a best friend. I’ll dedicate a space of skin to him. There are so many things to choose from, but I want it to be perfect. I’ll probably settle on “#berthaandearl” to combine our shared love of social media and signify how we’ll grow old together.
Little brother #2 was never very little, but he is tender, and “Hold me, Niall” is a good way to remember that.
Little brother #3 get’s a splash of color with one of his brown eyes because I prayed for him to have those eyes, and then he was born and there he was; my brown eyed baby.
Little brother #’s 4 and 5 will be touching, hands together and never letting go because that’s what I want to do with their little hands forever, and because they were made to be brothers, no matter that they were born on opposite sides of the world with two different sets of parents.
Baby sister gets a jewel. I don’t know what kind, but a beautiful one, because she is a treasure, and that’s what her name means in a language she’s never spoken but is part of her heritage because we made her a part of our family.
I want to mark my skin - split the surface and bury dark lines that can never be erased under the pale and the freckles. Maybe because if my skin remembers, I won’t have to remember alone. Or maybe because if my life is there, my story and my secrets and my devotion, I’ll feel more comfortable, like a blanket of who I am is covering me like a friend. I’ll touch the ink and feel the story. The sun will kiss it, my tears will wash over it, and my children will know me by these patterns that have shaped their mama into who she is.
But right now I am blank.
Clean.
Open.
Closed.
Covered and naked all at once.
Sometimes I wish I could peel back my skin and show the world who I am. Sometimes I want to draw on my body the highs and the lows, to wrap them around me and let them anchor me into the path I am on, to keep me from flying away and forgetting who I was made to be. Proclaiming the mercy, grace and faithfulness of the Lord. Write it on my arms and over my back until everyone knows who I indelibly and irrevocably am from the inside out.
So, yeah, sometimes I want to mark my skin and hold myself together by inking stitches onto the seams of my body. The stitches would be the names of the people who have held me tightly to keep me from spilling out when everything goes crazy and hazy and I can’t see straight. Do I give myself an outline, a ridge along my edges and curves so people know where I start and stop? Then people will know when I invite them into myself, when I allow them to cross lines because I trust them. Or maybe I’ll create a galaxy of fingerprints belonging to everyone who has touched my life. They would reach from the back of my neck to the base of my spine and circle down my legs to my toes. It would be all the people I love the most along with the people who brushed against my shoulder at the airport, or gave me a word in the check-out line at the grocery store.
But then I think, maybe, maybe putting them on the outside of me will take away from the sacredness of these things? Maybe just coloring them onto my heart is the best, because then no one can mock or sneer at the ones that I love. So I leave myself unmarked, because if I start, I can never go back. I can never undo that first penetration of the needle into my skin, the tiny dot bearing witness to the moment where I chose to say yes to wearing my heart on the outside. That moment in and of itself is a moment to remember; the moment I marked my skin. The moment I began my map.
My timeline.
My compass…
I feel like the thing that drives me to want to wrap myself in my stories is the desire to be known. For all the parts of me to be seen and accepted. And I feel like that maybe I just need to stop wishing I was known on the outside, and know and remember and meditate on the fact that I am known.
I am fully known.
Over and over and over, I am known.
The weaknesses, the secrets, and the pieces of myself that I would never consider putting on my skin because I never want to be known by those things: They are known.
The pain, the strengths, the revelations… I am known.
The way that I love is known. The way that I express myself is known. The days that changed my life are known. I don’t have to sketch it over myself from my head to my heels and hope that people can read between the lines, because there are lines that I myself have forgotten, but He has not.
He knows my lightning bolt of a sister, my Starry Sky of a family, my “come back… be here” love for my friend and the song lyrics wrapped around my ankles. He knows, and He understands, and He loves me. Maybe the only mark I need to make on my skin is that word.
Known.
And when I feel the desire to mark myself, to fill in the blanks and reveal the depths of my feelings, I can look down and know that He sees it all as clearly as if I did have it on my skin. My hopes, my dreams, my wishes… my future.
I am known.
Peace can wrap around me. Joy can cover me. Assurance of God’s love will mark me from the top down. That is my map. He is my Northstar. He is the center of my solar system that keeps me spinning around and around and around. He has marked me, and that mark will last into eternity. Whether I mark myself or not, there is no removing this piece of me that tethers me to His heart and that…
that is my mark.